Engaging, humorous, and provocative, Broadway Musicals: A Jewish Legacy examines the unique role of Jewish composers and lyricists in the creation of the modern American musical. The film showcases the work of legends such as Irving Berlin, Jerome Kern, George and Ira Gershwin, Lorenz Hart, Richard Rodgers, Oscar Hammerstein II, Leonard Bernstein, and Stephen Sondheim.

Engaging, humorous, and provocative, Broadway Musicals: A Jewish Legacy examines the unique role of Jewish composers and lyricists in the creation of the modern American musical. The film showcases the work of legends such as Irving Berlin, Jerome Kern, George and Ira Gershwin, Lorenz Hart, Richard Rodgers, Oscar Hammerstein II, Leonard Bernstein, and Stephen Sondheim.

《上海犹太人》讲述了犹太难民的故事，他们和当地中国人、日本占领军的关系。它也描述了美国犹太人社区试图帮助这些难民的努力，他们在极其艰苦的环境下所创立的丰富文化生活，以及他们那些滞留于欧洲的亲戚的悲惨遭遇。 　　 　　这部影片包括幸存者、历史学家的访谈、珍贵的照片、收藏的胶片、静止的图像和在现代上海拍摄的胶片，而在这里的犹太人聚居区几乎没有改变。《上海犹太人》由 Martin Landau 解说，Sujin 作曲，二胡演奏：Karen Han，曾为《卧虎藏龙（Crouching Tiger Hidden Dragon）》和《末代皇帝（The Last Emperor）》演奏

In this notorious Nazi propaganda historical costume melodrama, a conniving, ambitious Jewish businessman, Suess Oppenheimer, snares a post as treasurer to the Duke of Wurttemburg by showering the corrupt duke with treasure and promises of even greater riches. As the Jew's schemes grow more elaborate and his actions more brazen, the dukedom nearly erupts into civil war. Persuaded by the Jew, the Duke all but scuttles the constitution and alienates the assembly by lifting the local ban on Jews in Stuttgart. In a final outrage, the Jew rapes a wholesome German girl and tortures her father and fiancee. When the Duke succumbs to a sudden heart attack, the assembly of Elders try the Jew and sentence him to death for having "carnal knowledge of a Christian woman." 　　 　　Summary written by Kevin Rayburn

永恒的犹太人是1933年的短片。主要叙述“流浪的犹太人”在中世纪的民间传说。当时纳粹德国的宣传部长为约瑟夫戈培尔，电影导演弗里茨西普 。电影拍摄后不久，纳粹占领波兰。

Ari Shaffir turned his last Fringe show into a Netflix special called Double Negative. 　　This year, he returns to tackle his Orthodox Jewish upbringing. Ari questions all the things rabbis never wanted him to. Like, who were the real bad guys in Sodom and Gomorrah? Why do Hassidim dress like Johnny Cash fans? Who did Adam fuck before Eve? It’s a UK festival-style show with the laughs of an American hour. 　　‘Ridiculously funny’ (Jimmy Carr). ‘One of my favourites’ (Bill Burr). ‘The real deal’ (Dave Attell). ‘One of the 100 funniest human beings alive’ (Joe Rogan).

西蒙·沙玛研究了犹太人的影响，以及犹太人屡次用思想、文字、言论、哀悼和赞扬等形式改变了世界命运的重大时刻。沙玛以自身丰厚的学术背景、新颖的观点，以及自己的家族史为基础，讲述了一系列关于犹太人的故事。这些故事既具有深刻的历史意义，又具有令人振奋的当代性。从纽约到敖德萨，从柏林到耶路撒冷，沙玛周游世界，回顾古代和现代的犹太人故事，讲述了当代犹太人的激情和困惑。《犹太人的故事》的核心内涵，是探讨民族特性和孤立隔绝之间的关系，必然能引起广大具有卓越鉴赏力的观众的共鸣。自《圣经》诞生以来，犹太人的世界一直是截然不同的，但从未真正孤立过。我们有必要重新述犹太人的故事，因为它与深层次的人类联系息息相关。

This movie is more or less a document about a book (Die Stadt ohne Juden) from Hugo Bettauer. As a movie itself it shows the typical problems of a film industry in Vienna in the beginning of the 20's. The legendary Republic of Utopia. Address: Ballhausplatz in Vienna. There is troble. The workers are going out in the streets, the money has lost all its value. In the pubs the people already know the solution: The jews have to be expelled... Die Stadt ohne Juden (The City without Jews) is based on the 1922 novel by Hugo Bettauer. In this novel he dealt with the consequences of the rising antisemitism in a satircial way. 　　It is on a meta level a great pleasure. A lot of very interesting people and locations. In the historical context the movie is one of the most interesting documents we have in the movie history of central Europe. It shows that people had an idea what there future would like to be. The most interesting part is the vision of a Vienna without an important minority. It seems like a vary of stereotypes but its a fact that some visions turned into real.